End
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sundry personal artifacts-- this blog is now closed.
Disaster No. 1603
I remember the bar. I was doing my laundry and the place was one of those pubs where you could get pasta or a tofu sandwich and soup for eight dollars, or a pack of American Spirits for five. The convenience wasn’t too dear to be able to drink and do your laundry at the same time. Luckily there weren’t a lot of people out to wash their pants on Wednesday night.
I’d gone up to the bar to buy a pack of cigarettes. It was essentially me, the bartender and two guys at the bar. I ordered a Blue Moon and sat smoking, staring at the lemon floating in my beer. The boy with the curly hair lit his rollie and raked back his curls. He was somehow gray looking, dark looking. It took me a while to realize that a layer of construction dirt had settled on him and colored him completely.
I’m not sure how it began. Aren’t you supposed to remember those first words? I think I’d seen him before. Stanislaus Madrone was a friend of Edwina’s and she’d known him from the gallery. I’d gone to his opening at Barrister’s a month before and felt a little odd, had a the free red wine the gallery passed out, hadn’t really known anyone other than Edwina who’d invited me. She’d introduced me to a few people who I would never see again. I felt a little out of my element at those gatherings.
He made little towers, sort of boxes. They were not like Joseph Cornell’s but they were. They were like a carpenter’s workshop overtaken with antique gears and screws. Pocket knives and superheroes mixed with old photographs and girls. They had some element of Westermann but were more delicate, less bold.
I think he said, don’t you know Edwina von Hildegard? Aren’t you friends with (…)? And I could remember running into him Sundays at the French Market with June and Giovanni after our Sunday brunches-- him, his dogs, and Rosebud who’d play accordion with the band sometimes. His dogs, I guess they were his dogs, though I thought they were her dogs, would jump up and down and would run all over you like mountain goats. They also smelled a bit, and Baby Pearl would always chew on her brother’s head.
So really I had met him before, but mainly when he was being good. To be truthful the first times I saw him he was wearing an old tattered tweed suit, two tone shoes and a rumpled fedora. His hair was in twin braids Wizard of Oz style. I can remember what I thought of his art, or at least that first impression of it: I remember not understanding it. It was like listening to a story where you don’t know all of the characters, don’t quite understand what makes them important, or looking through someone else’s family portraits.
I said yes, that I’d known Edwina and some of the other kids from that café round the corner. He told me that he wasn’t very fond of the owners of that café, for reasons I’d already known having to do with Rosebud’s being sick. He told me the first time that he had seen Edwina’s work he had thought that she was much older.
The bartender gave him a bit of the pizza that she couldn’t finish. I think that she had teased him about eating only beans and rice or some other bizarre eating habit that he had fallen into. Stanislaus was too skinny. He would insist to me later that he only ever ate beans and rice though I had never seen him eat either of those things in front of me.
My laundry had finished. I walked out to my car and told him that we could talk some more outside. It was a bit stuffy and loud inside. It was one of those summer nights in
Anyway it was a beautiful clear night. The sky was indigo and deep and dark, not clouded yet. We were on the corner of Touro and Royal streets. He pulled two bottles of Moosehead out of his backpack and offered me one, promptly opening them with his lighter. I took it and drank with him. I’m not sure what I thought then. Perhaps that he was interesting or that I was bored and he seemed friendly. His comments were personal and self-reflective. He said, I don’t think that it’s terrible to have a drink after work. He told me that he dismantled houses all day, every day, and that his work drained every ounce of energy out of him and that by the end of the day he could see what he had done and that was most important, that he had done something every day and that he knew what it was, that he had completed something.
I told him that I was not exactly in that position at all, that perhaps I was in the opposite position of waiting and reading; reading novels and books about architecture and cultural theory, checking books out to patrons, but mainly telling them that the second floor of the library had been closed for renovations. We drank beer and stared at the stars. I told him that I had to go soon, you know, to get to work in the morning and fold my clothes. And he said, yeah, that he had to wake up early too to be at the job site, so he understood. I said that we should perhaps meet again but that if he wanted to and that it was very nice to have spoken with him.
He said, yes Marguerite Clark, you are a very neat girl and I like running around in your brain, and then he kissed my hand and said good night and rode off into the distance on his white bike.
I want to make something very clear. This was all an accident and I really didn’t want this to happen. I wanted to be alone, really, I wanted to work on my drawings, keep my house clean, and spend some more time visiting with friends. I don’t go to bars really. I simply wanted to do the simple and adult things one does alone.
Disaster No. 1603
I remember the bar. I was doing my laundry and the place was one of those pubs where you could get pasta or a tofu sandwich and soup for eight dollars, or a pack of American Spirits for five. The convenience wasn’t too dear to be able to drink and do your laundry at the same time. Luckily there weren’t a lot of people out to wash their pants on Wednesday night.
I’d gone up to the bar to buy a pack of cigarettes. It was essentially me, the bartender and two guys at the bar. I ordered a Blue Moon and sat smoking, staring at the lemon floating in my beer. The boy with the curly hair lit his rollie and raked back his curls. He was somehow gray looking, dark looking. It took me a while to realize that a layer of construction dirt had settled on him and colored him completely.
I’m not sure how it began. Aren’t you supposed to remember those first words? I think I’d seen him before. Stanislaus Madrone was a friend of Edwina’s and she’d known him from the gallery. I’d gone to his opening at Barrister’s a month before and felt a little odd, had a the free red wine the gallery passed out, hadn’t really known anyone other than Edwina who’d invited me. She’d introduced me to a few people who I would never see again. I felt a little out of my element at those gatherings.
He made little towers, sort of boxes. They were not like Joseph Cornell’s but they were. They were like a carpenter’s workshop overtaken with antique gears and screws. Pocket knives and superheroes mixed with old photographs and girls. They had some element of Westermann but were more delicate, less bold.
I think he said, don’t you know Edwina von Hildegard? Aren’t you friends with (…)? And I could remember running into him Sundays at the French Market with June and Giovanni after our Sunday brunches-- him, his dogs, and Rosebud who’d play accordion with the band sometimes. His dogs, I guess they were his dogs, though I thought they were her dogs, would jump up and down and would run all over you like mountain goats. They also smelled a bit, and Baby Pearl would always chew on her brother’s head.
So really I had met him before, but mainly when he was being good. To be truthful the first times I saw him he was wearing an old tattered tweed suit, two tone shoes and a rumpled fedora. His hair was in twin braids Wizard of Oz style. I can remember what I thought of his art, or at least that first impression of it: I remember not understanding it. It was like listening to a story where you don’t know all of the characters, don’t quite understand what makes them important, or looking through someone else’s family portraits.
I said yes, that I’d known Edwina and some of the other kids from that café round the corner. He told me that he wasn’t very fond of the owners of that café, for reasons I’d already known having to do with Rosebud’s being sick. He told me the first time that he had seen Edwina’s work he had thought that she was much older.
The bartender gave him a bit of the pizza that she couldn’t finish. I think that she had teased him about eating only beans and rice or some other bizarre eating habit that he had fallen into. Stanislaus was too skinny. He would insist to me later that he only ever ate beans and rice though I had never seen him eat either of those things in front of me.
My laundry had finished. I walked out to my car and told him that we could talk some more outside. It was a bit stuffy and loud inside. It was one of those summer nights in
Anyway it was a beautiful clear night. The sky was indigo and deep and dark, not clouded yet. We were on the corner of Touro and Royal streets. He pulled two bottles of Moosehead out of his backpack and offered me one, promptly opening them with his lighter. I took it and drank with him. I’m not sure what I thought then. Perhaps that he was interesting or that I was bored and he seemed friendly. His comments were personal and self-reflective. He said, I don’t think that it’s terrible to have a drink after work. He told me that he dismantled houses all day, every day, and that his work drained every ounce of energy out of him and that by the end of the day he could see what he had done and that was most important, that he had done something every day and that he knew what it was, that he had completed something.
I told him that I was not exactly in that position at all, that perhaps I was in the opposite position of waiting and reading; reading novels and books about architecture and cultural theory, checking books out to patrons, but mainly telling them that the second floor of the library had been closed for renovations. We drank beer and stared at the stars. I told him that I had to go soon, you know, to get to work in the morning and fold my clothes. And he said, yeah, that he had to wake up early too to be at the job site, so he understood. I said that we should perhaps meet again but that if he wanted to and that it was very nice to have spoken with him.
He said, yes Marguerite Clark, you are a very neat girl and I like running around in your brain, and then he kissed my hand and said good night and rode off into the distance on his white bike.
I want to make something very clear. This was all an accident and I really didn’t want this to happen. I wanted to be alone, really, I wanted to work on my drawings, keep my house clean, and spend some more time visiting with friends. I don’t go to bars really. I simply wanted to do the simple and adult things one does alone.